It is a murder mystery television drama, where everyone in the former Pennsylvania steel town — from odd residents to killer creatures — is a suspect in the murder of 17-year-old Brooke.

From executive producer Eli Roth, Hemlock Grove will be available exclusively on Netflix beginning on April 19th. All 13 episodes of the first season will be available to be viewed on that date.

These trailers alone make me want to sign up with Netflix or hijack someone else’s account. Check out the Netflix original series, Hemlock Grove, on Friday, April 19.

Kiss of the Damned will be available on iTunes/On Demand on Thursday, March 28, and in theaters on Friday, May 3.

Kiss of the Damned will also play at this year’s SXSW Film Festival.

Beautiful vampire Djuna (Josephine de La Baume) tries to resist the advances of the handsome, human screenwriter Paolo (Milo Ventimiglia), but eventually gives in to their passion. When her troublemaker sister Mimi (Roxane Mesquida) unexpectedly comes to visit, Djuna’s love story is threatened, and the whole vampire community becomes endangered…

The Silence is opening in theaters on Friday, March 8, specifically at Cinema Village in New York and Nuart Theater in Los Angeles.

For additional cities, please check out the theater listing here.

In his strikingly commanding debut feature The Silence, Swiss-born Baran bo Odar adapts Jan Costin Wagner’s bestselling novel with his own unmistakable signature. Mesmerizing performances by top European actors – headed by Ulrich Thomsen (The Celebration, Brothers), Sebastian Blomberg (The Baader Meinhof Complex), Katrin Sass (Good Bye, Lenin!) and Burghart Klaussner (The White Ribbon, The Edukators) – enrich this intense drama far beyond the crime genre.

His other personalities are murder victims, and as she learns more about these personalities, she finds herself closer and closer to becoming a murder victim herself.

Rent the film on iTunes here.

6 SOULS will be in theaters on Friday, April 5.

After the death of her husband, Dr. Cara Harding’s (Julianne Moore) faith in God has been shaken, but not her belief in science. In an attempt to open her up to accepting unexplainable psychiatric theories, her father introduces her to Adam, a patient with multiple personalities who takes on some of the physical characteristics of his other personalities. Cara quickly discovers that Adam’s other personalities are murder victims and the more she finds out about him and his past, the closer she and her loved ones are to becoming murder victims themselves.

But what makes me want to check out this flick is the simple fact that the one and only Mickey Smith (Noel Clarke) wrote and starred in STORAGE 24. What can make it better I ask you? Captain Hook (Colin O’Donoghue) from ABC’s Once Upon a Time starring as his bro-ham! Bring on the enclosed places and the impending claustrophobic heebie-jeebies when being hunted by some mysterious beastie because I’m ready for it.

STORAGE 24 will be available on DVD and Blu-ray on Tuesday, March 12.

London is in chaos. A military cargo plane has crashed leaving its highly classified contents strewn across the city. Completely unaware London is in lockdown, Charlie (Noel Clarke) and Shelley (Antonia Campbell-Hughes), accompanied by best friends Mark (Colin O’Donoghue) and Nikki (Laura Haddock), are at Storage 24 dividing up their possessions after a recent break-up. Suddenly, the power goes off. Trapped in a dark maze of endless corridors, a mystery predator is hunting them one by one. In a place designed to keep things in, how do you get out?

Hitting shelves this Tuesday, Nobody Gets Out Alive (Punishment for our overseas horror brethren) tells the story about a group of college students escaping for the weekend only to find themselves fighting for their lives from a madman with a vendetta.

Original Friday the 13th writer, Victor Miller, mentored the script for Nobody Gets Out Alive and Jason had the privilege of working with veteran actor Clint Howard on the feature film.

Check out our interview with first-time director Jason Christopher below.

Gruesome Little Me (GLM): Hi Jason. Thanks for getting back with me to answer some questions about your first feature film Nobody Gets Out Alive. Tell us a little about yourself as a filmmaker and as a horror fan. What inspired you to make this horror film?

Jason Christopher: I’m 25 years old, I like long walks on the beach — no, haha. I am 25 years old and this is my first feature, Nobody Gets Out Alive (US).

Overseas the movie is titled Punishment. It comes out 2/26/13 on Netflix, DVD, RedBox, Video On Demand, and I’m nervous. Haha! This is the first real legit thing I ever did and I’m definitely nervous. Everyone and their mother is a critic these days and it’s horrible.

The YouTube critics crack me up though. I’m satisfied with the final product, of course. Could I have done better, absolutely. I just love horror movies and I really wanted to make a flick that would’ve fit in the 70′s and 80′s. Those are when the best ones were, right?

GLM: What are some of your favorite horror films? Which horror films influenced you in your storytelling? Which horror films influenced you in your directing?

Jason Christopher: These are some different questions, I like this, haha! My all time favorite horror movie is Black Christmas (1974), then it’d go (in no order) The Prowler, Friday The 13th Part 3, Halloween 2 (1981). But I watch a ton of other movies too, comedy, action, and stuff. Nothing specific I watched for the story structure or anything like that.

I like F13 Part 3 because that’s when we really see Jason become Jason. I love Black Christmas cause it scared me so much when I was 16 years old. It was the last horror movie to leave me freaked out. The way that movie ends…we would never be able to get a movie like that nowadays. I really dug Adam Green’s Hatchet, though. I liked how he made an old school style horror flick but in present, I guess you can say I copied that from him. All in all though, I wanted to just make a horror movie that would fit perfectly in the 70′s and 80′s.

GLM: How did you come up with the story and the script for Nobody Gets Out Alive?

Jason Christopher: I always had the idea of wanting to do a horror movie but wasn’t really sure what to do with the killer and stuff. Does he wear a mask? Is he inhuman?

My Dad died in a freak accident while he was at work when I was 17 years old. I was depressed, angry, and really didn’t want to do anything else with my life besides entertain people. I still could pull that off somehow. I was an entertainer since I was a in kindergarten. I would write stories then tell them to the class and stuff, got older was a jokester, played in a few bands up until I was 17 and my Dad held those bands together, once he died, what was I going to do with my life?

I’m honestly not good at many things, haha. So, once my Dad passed, I started typing away on the script. I wanted to make a father, Hunter Isth, who loses everything in his life and now just doesn’t give a shit. He kills, that’s his motive. It was perfect because at first: Michael was human and Jason was pretty much human, then they went off onto these inhuman boring characters where everyone lost interest. So, I wanted to make Hunter Isth human, he’s a real dude. He even has a monologue in the middle of the flick that makes the audience root for him instead of the kids being chased down.

GLM: What was the scariest moment during film making? What was the happiest moment during film making? What was your favorite part of the entire film-making process?

Jason Christopher: The scariest moment was not knowing what the hell I was doing. I mean, I had a gist of what I was doing, but the first day of filming I was a little confused, haha. By lunch, I knew what was going on. I didn’t go to college, I’m a hands-on type of kid.

But being on set, learning pre production, principle, post, selling a movie all of that junk that goes into it… I would have NEVER got the teaching I got there if I went to college. The happiest moment was definitely seeing it happen. I wrote this script when I was 17 and finally seeing it come together when I was 22, I was amazed and so stoked. I couldn’t be happier today, being sold – coming out in stores… I’m very excited/happy/nervous/grateful. My favorite parts would be – writing/directing/editing. You write the flick with a vision. You direct it and see that vision come to life. After that you edit it and it’s your last draft of your script. It’s a beautiful thing.

GLM: What do you want horror fans to feel when watching this film? And what do you want to say to the fans before they watch Nobody Gets Out Alive?

Jason Christopher: I want the fans, the people who watch the flick, the people who have NO clue what they’re getting into – to just watch the flick with an open mind. There’s something for everyone, the first 34 minutes is damn close to a comedy flick and then after that 35 minute mark, it’s a total 180 and becomes a full blown out slasher flick.

If you want to get technical, that monologue scene (done phenomenally by Brian Gallagher) is like watching a drama movie. There’s everything in this! Don’t watch it, thinking I’m making fresh bread or something, I wasn’t trying to do that. I mean, there’s a few things that are different from a typical horror movie but I’m not trying to wow people on a different level. Just watch the movie with an open mind and the love of horror flicks.

Nobody Gets Out Alive is available on Amazon, Redbox, Netflix, and Video on Demand starting this Tuesday, February 26 through Image Entertainment.

Check out the Nobody Gets Out Alive Facebook page here.

Another vampire love story, we never seem to tire of eternal love, especially when coupled with the viciousness of vampires.

Kiss of the Damned will be available on iTunes and On Demand on Thursday, March 28, and in theaters on Friday, May 3.

Beautiful vampire Djuna (Josephine de La Baume) tries to resist the advances of the handsome, human screenwriter Paolo (Milo Ventimiglia), but eventually gives in to their passion. When her troublemaker sister Mimi (Roxane Mesquida) unexpectedly comes to visit, Djuna’s love story is threatened, and the whole vampire community becomes endangered…

Director and producers from The ABCs of Death participating in reddit AMA live chat include: Nacho Vigalondo (A is for Apocalypse), Adrian Garcia Bogliano (B is for Bigfoot), Ernesto Diaz Espinoza (C is for Cycle), Marcel Sarmiento (D is for Dogfight), Thomas Malling (H is for Hydro-Electric Diffusion), Jorge Michel Grau (I is for Ingrown), Simon Rumley (P is for Pressure), Adam Wingard (Q is for Quack), Srdjan Spasojevic (R is for Removed), Lee Hardcastle (T is for Toilet), Ben Wheatley (U is for Unearthed), Kaare Andrews (V is for Vagitus), Jon Schnepp (W is for WTF), Xavier Gens (X is for XXL), Jason Eisener (Y is for Youngbuck), Ant Timpson (co-producer), and Tim League (co-producer).

Join the chat tomorrow, February 20, from 11 a.m. to 2 p.m. PST on reddit.

Simply log in to reddit and leave your comment to receive answers in real time.

The film was released theatrically and on premium video on demand on February 8.

SPIDERS will be available on DVD, Blue-ray (3D and 2D), and video on demand on Tuesday, March 12.

SPIDERS centers on mutant spiders that fall to earth from a disabled Soviet space station. With New York City threatened to be overrun, it’s up to transit supervisor Jason Cole and health inspector Rachel Cole to save their daughter and prevent the colossal Queen Spider from uniting with her eggs and creating an army of massive killer spiders.

Do not look directly into the light of my eyes. Too late.

Count Dracula. Two words come to mind when that character is named: Bela Lugosi.

When I hear the film Dracula mentioned, I think of “crazy eyes” or more appropriately the haunting gaze of Bela Lugosi on screen.

It was all about the eyes with his performance, the mesmerizing gaze of a vampire seducing its victims and spellbinding those human he used as puppets.

His performance in Dracula became the template for the men who would wear the fangs long after him, becoming a dark and mysterious presence to lure and ensnare others.

Telling the vampire-horror story of Count Dracula, the 1931 film is widely regarded as a classic in the genre. Dracula begins with the arrival of Renfield in Transylvania, on his way to conduct business with the eccentric Count Dracula.

Warned off by the fearful villagers, Renfield continues to the castle, welcomed warmly by the charming Count, who is a true vampire. Renfield is easily enslaved by Count Dracula, ensconcing the Count’s coffin aboard a vessel on its journey to England.

I’m stark, raving mad.

Renfield is found as the only survivor of the vessel upon its arrival.

Seen as a raving lunatic by the authorities, he is sent to a sanitarium adjacent to Carfax Abbey, the property that brought him to Transylvania and his business with the Count.

His performance in the film is another cornerstone of Dracula, Renfield has lost himself to madness.

He seems to show signs of his former self, but it is overshadowed by his newfound lust for life, specifically the lives of small creatures like bugs and spiders.

After his arrival in England, Count Dracula finds himself under the scrutinizing gaze of Abraham Van Helsing as he stalks the nights for lovely necks to bite. A battle of wills is fought between the professor and the Count, culminating with Count Dracula revealing his true nature to Van Helsing.

Not the cross!

There is no real love affair between Count Dracula and Mina Seward, though she is slowly changing into a vampire under the Count’s machinations. She is merely another victim of the charming Count Dracula, much like her dear friend Lucy whose blood was feasted upon by the Count.

Van Helsing’s wits and Renfield’s stupidity spell the end for Count Dracula, leading Van Helsing and John Harker, Mina’s fiance, to Carfax Abbey. Count Dracula is trapped by the rising sun, hunted by Harker and Van Helsing and forced into his coffin. Van Helsing ends the Count, and Mina returns to normal.

He is ours. We shall call him Ren. And we will love him and bite him and squeeze him.

The only drawback that I have found during the multiple viewings of Dracula is the limited screen time for the Count’s lovely brides.

Those lovely vampiresses need to be seen more, which they have been in later film adaptations, but those are not the same lovely ladies of the night (And I do not mean those “ladies of the night”).

Dracula is a quintessential part of horror. It is one of the films that laid the foundation for the genre. Dracula opened the door for other vampire-horror films, both successes and failures, and several film adaptations of the novel its based on along with some amusing parodies.